An Invisible Dancer and a Charcoal Boat

Back in the 1960s Ann Arbor was an incubator of performance Art, with my friend and mentor Milton Cohen as one of the pivotal leaders of the Once group. Milton brought visual arts into the temporal world already occupied by music, dance, and theatre. He was at home with composers, poets, actors, musicians, dancers; the world of here, then gone. Cohen, who was hired by the University of Michigan Art Department as a painter, evolved into a painter whose medium became light, color, and motion. In his studio, known as the Space Theater, above East Liberty Street, he scheduled performances of his colored light, sound, film, projections, optical manipulations, and a live dancer for a small audience who sat on cushions on the floor. I attended several performances over the years. The events were free of charge. Famously, during the early 60s Milton arranged for an entire crew along with all his Space Theater components to perform at the Venice Biennale and subsequent tour of additi...