Posts

Showing posts with the label mistake

Exhibited at MoMA with It's Face to the Wall

Image
The Artwork Displayed Face to the Wall Here’s a category that was probably never even considered by the Guinness Book of Records; “Artworks hung face to the wall.” Thank you very much for allowing me to hold this distinction. The Museum of Modern Art , in New York organized an exhibition of works on handmade paper, in 1976. Kathy Markel called to tell me she was loaning a piece to of mine to the exhibition. I was too busy with the Venturi renovation and addition to the Allen Art Museum, at Oberlin College, to go see the show until toward the end. A friend who often helped me in the studio, Walter Bosstick, was in New York about a month after the exhibition opened and reported back to me the following: “The piece they are showing is beautiful. It’s displayed in between a Jim Dine and a Robert Rauschenberg. But, you know, I thought I knew all your work and this one is very subtle.” I asked him to describe it, since I didn’t know which piece was selected. He did an...

Introduction to Jackson Pollock's Over-Splatter

Image
  Jackson Pollock's Over-Splatter,   How They Happened, Where They are Located, Why They Went Unnoted for More than Fifty Years, and How They May be Understood and Put to Use By Sandy Kinnee and Lauren Kinnee, Ph.D. Once You See the Drips You will Always See them PART 1 The following was written in 2002 and published in the online magazine Life Sherpa, April 2003 Art DNA: Pollock's Extra Drips by Sandy Kinnee Redwood trees belong in California. What would you make of the discovery of a stand of six redwood trees in an east coast forest surrounded by the expected indigenous deciduous oaks, maples, elms, and the odd birch thrown in for bio diversity? The following relates to my experience in front of some of my favorite paintings in the Museum of Modern Art. Just like you, when I look at an artwork, I come with my own baggage. What I've seen previously, what I know from school and my experience of working in museums, relationships with similar artworks, all come into p...