Unwasted Paper

This book illustrates my infrenquently seen rectangular paintings on handmade paper. All works are either 22 by 30 or 24 by 36 inches. The paper was made at my own papermill before I donated the entirity of the hollanders, screens, presses, vats and other gear and material to the Colorado College. My paper fibers were all cotton and linen clothing sourced from our family closets.

CLICK THE IMAGE BELOW TO OPEN THE BOOK PREVIEW

Comments

Post a Comment

Popular posts from this blog

The Mummy's Curse and the Armani Suit

Image
    There’s a reason it’s called rag paper.   For centuries, ragpickers supplied the papermaking industry with cotton and linen. Discarded clothing scraps were the aluminum cans of the past. They provided a livelihood to the unskilled. At the dawn of the Industrial Age, everything changed. A rising bourgeoisie and the success of education lead to increasing demand for printed material. The impact upon paper and the rag   supply chain was unanticipated. Consumption of traditional cotton and linen scraps outstripped supply.   The price of rags rose. When demand for papermaking material exceeded supply, alternate sources were sought.    One long forgotten trove of very, very old rags was rediscovered in the 1800s: linen wrapped Egyptian mummies. A Maine papermill owner imported a boatload of them and removed the linen wrappings. The linen was then converted into pulp with the end product being butcher wrap.   Production of the brown   ...
Read more

Jackson Pollock's Over-Splatter

Image
  Jackson Pollock's Over-Splatter,   How They Happened, Where They are Located, Why They Went Unnoted for More than Fifty Years, and How They May be Understood and Put to Use By Sandy Kinnee and Lauren Kinnee, Ph.D. Once You See the Drips You will Always See them PART 2 Jackson Pollock’s Stray Drips (Over-Splatter): Their origins and implications   Abstract   This paper proposes a wholly new method for reconstructing the chronology of Jackson Pollock's oeuvre based on the presence of drips of stray pigment on otherwise cohesive canvases.  Pollock, after having finished a painting and let it dry, moved it to the side in his studio where it occasionally accumulated drips and other marks that were the byproduct of his working method.  These marks, here termed ‘over-splatter,’ are present on both recto and verso of many Pollocks in major museums.  Lavender Mist of 1950, for example, has a large and distinctive red splotch on the front, right s...
Read more

Noguchi Doing Time

Image
  Noguchi Doing Time     While it is true that at Poston Isamu Noguchi was neither fish nor fowl not fully Japanese and was in the internment camp voluntarily None of those   who had reason to not want him around had authority to release him.   He was a perpetual outsider in a similar way Jackson Pollock was portrayed as a cowboy but was anything but Except for the drinking   Two artists doing time in ill-fitting Pigeonholes             Sandy Kinnee New York October 10, 2019    
Read more