In The Louvre: On the Backside of Artworks

A Backside Not Intended to be Viewed

A side devoid of interest for others

Some, perhaps even you, may think I spend too much of my time in the Louvre looking at the backside of artworks

I find a good deal of joy in focusing upon the unintended focus, the backside, the brushstrokes, measuring with my eyes or hands the width of the bolts of canvas and their orientation in an enormously humongous history painting

Ah, the flip side of this Roman portrait bust:

Geometric Purity, Secret Proto-Modernism Unveiled



"Pay no attention to that man behind the curtain!"

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