Which is Your Favorite Muse?

The Three Muses of Poetry

Sometimes he sits quite motionless
Blankly pensive trancelike
And yet nothing happens

Or too much comes all at once
And there is no bucket large enough
To catch it all

In either case, he can always
Blame the Muses of Poetry
He draws a blank on their names

But the really good muse of poetry
Carries the attribute of a lyre
Which hints at the reciting of poems

Rather than their reading
Flat on a page in a book
The muse of erotic poetry

Also carries a lyre, but bigger
And more erect
This muse and he have fun

The muse of short poems hides
Behind trees and carries a cell phone
Years back she carried a boom box

Today there is a shortage of
Real authentic muses
Or possibly a glut

Still nothing interesting
Sexy or humorous is destined
To be written down this day

It was the muse of painting
That had him by the balls
Again this morning

IMAGE: Not Muses at all "The Three Graces of the Thrift Shop"

Comments

Post a Comment

Popular posts from this blog

The Mummy's Curse and the Armani Suit

Image
    There’s a reason it’s called rag paper.   For centuries, ragpickers supplied the papermaking industry with cotton and linen. Discarded clothing scraps were the aluminum cans of the past. They provided a livelihood to the unskilled. At the dawn of the Industrial Age, everything changed. A rising bourgeoisie and the success of education lead to increasing demand for printed material. The impact upon paper and the rag   supply chain was unanticipated. Consumption of traditional cotton and linen scraps outstripped supply.   The price of rags rose. When demand for papermaking material exceeded supply, alternate sources were sought.    One long forgotten trove of very, very old rags was rediscovered in the 1800s: linen wrapped Egyptian mummies. A Maine papermill owner imported a boatload of them and removed the linen wrappings. The linen was then converted into pulp with the end product being butcher wrap.   Production of the brown   ...
Read more

Jackson Pollock's Over-Splatter

Image
  Jackson Pollock's Over-Splatter,   How They Happened, Where They are Located, Why They Went Unnoted for More than Fifty Years, and How They May be Understood and Put to Use By Sandy Kinnee and Lauren Kinnee, Ph.D. Once You See the Drips You will Always See them PART 2 Jackson Pollock’s Stray Drips (Over-Splatter): Their origins and implications   Abstract   This paper proposes a wholly new method for reconstructing the chronology of Jackson Pollock's oeuvre based on the presence of drips of stray pigment on otherwise cohesive canvases.  Pollock, after having finished a painting and let it dry, moved it to the side in his studio where it occasionally accumulated drips and other marks that were the byproduct of his working method.  These marks, here termed ‘over-splatter,’ are present on both recto and verso of many Pollocks in major museums.  Lavender Mist of 1950, for example, has a large and distinctive red splotch on the front, right s...
Read more

Isamu Noguchi and His Nisei Muse

Image
Noguchi Doing Time While it is true that at Poston Isamu Noguchi was neither fish nor fowl not fully Japanese and was in the internment camp voluntarily None of those who had reason to not want him around had the authority to release him He was a perpetual outsider Much like Pollock was portrayed as a cowboy but was anything but Except for Jackson's drinking Two artists doing time in ill-fitting Pigeonholes The book tells the story of Isamu Noguchi's girlfriend and muse during his time in the Poston Internment Camp, located in the Arazona desert where she inspired his famous lamps. CLICK HERE TO BE TAKEN TO THE FULL PREVIEW OF THE BOOK. The book is a limited edition of fifty copies.
Read more